#nfdt

Next Fashion Designer of Tokyo
2025

Announcing the contestants who passed the first screening

Free Category

  • 梅宮 青

    Tama Art University

    梅宮 青 Ao Umemiya

    Work name:-en-

    Concept

    There is a word in Japanese, "en," which means "connection."
    This work expresses the bonds between people, wishing for a better future and inviting viewers to become a part of it, prompting them to reflect on their lives.

    Features

    • Designed with motifs from kimonos gifted through meaningful connections (en).
    • Focuses on the 36 cm width of traditional kimono fabric, incorporating elements of traditional Japanese clothing into a Western-style garment.
  • 岡野 留伊

    Professional Institute of International Fashion

    岡野 留伊 Rui Okano

    Work name:Be Felt

    Concept

    This work embodies the forms of "animals" and "nature" that are changing due to waste pollution, attempting to restore their original forms or transform them back to their authentic state using original felt material.

    Features

    • Uses original fabric created by recycling old clothes into fibers and turning them into new materials.
    • Incorporates animal shapes as separate parts within the pattern to create a three-dimensional effect.
    • Emphasizes sustainability by breaking down household clothing into fibers for new materials or recycled felt, demonstrating a commitment to waste reuse and environmental consciousness.
  • 木佐貫 綾乃

    Bunka Fashion College

    木佐貫 綾乃 Ayano Kisanuki

    Work name:Punk have afternoon tea

    Concept

    I want to expand the perspective on gender beyond the binary choice of male or female.
    This design aims to broaden the scope of men's fashion by incorporating androgynous elements, imagining a future where Tokyo embraces sexual diversity.

    Features

    • The design adds floral elements essential to afternoon tea culture to a rider's jacket, combining the rebellious edge of punk with the elegance of afternoon tea.
    • Parts of the garment, such as sleeves and cuffs, are detachable, allowing customization according to mood or occasion.
  • 國本 和樹

    Bunka Fashion College

    國本 和樹 Kazuki Kunimoto

    Work name:MES VOYAGES (My Travel)

    Concept

    "A work that conveys the creator's spirit by approaching design through sakiori weaving."
    Inspired by photos of port towns in France from my uncle's travelogue.

    Features

    • Incorporates shape-memory plastic wires into the weft of sakiori weaving, making them protrude straight from the fabric to express the impactful structural pattern of a series of yachts.
    • Crafted in a shape reminiscent of sailor pants to evoke the atmosphere of a port town.
  • 熊澤 径

    Esmod Tokyo

    熊澤 径 Kei Kumazawa

    Work name:Re-editing Perspectives

    Concept

    Expansion of clothing using experimental methods.
    Depicting the process of modern re-editing of military wear by changing its form and replacing elements.
    This experimental collection poses questions to existing clothing and proposes new approaches to clothing.

    Features

    • To express the image of clothing being re-edited, wood is used to divide the body, clothing, and space. The wood is removable, making it more wearable when detached.
    • As fashion reaches a saturation point in its function as attire, by evolving existing clothing with an emphasis on art as expression, this work aims to stimulate both empathy and purchase interest.
  • 中村 虹輝

    Bunka Fashion College

    中村 虹輝 Koki Nakamura

    Work name:Circulating Clothing

    Concept

    Clothing with a consideration beyond sustainability.

    Features

    • The textile was created by reducing unwanted fabric into fibers and combining them with fabric.
    • Aimed to design clothing that, if it is no longer worn, can be repeatedly recycled back into fibers and transformed into garments or other items, embracing a sustainable cycle.
  • 二宮 櫻壽

    Esmod Tokyo

    二宮 櫻壽 Oju Ninomiya

    Work name:Hymn to Humanity

    Concept

    The concept is "Tissere l'espace," which means "weaving space" in French.
    This work is created with the desire to extract and blend various elements that constitute the self, such as personal life and interests, with those of the people around, clothing history, and nature, to give the garment a new value as a tribute to humanity.

    Features

    • Since clothing can outlive humans, I aspire to create responsible creations where people and clothes walk together, allowing them to be passed down through generations.
    • The fabrics are chosen with consideration for environmental impacts, aiming to evolve alongside people.
  • 野口 キララ

    Professional Institute of International Fashion

    野口 キララ Kirara Noguchi

    Work name:BRONZE PETITION

    Concept

    In ancient Japan, deer were considered the gods of harvest because they signaled the seasons with their antler shedding.
    This design draws inspiration from bronzeware artifacts, many of which depicted deer, thus centering around the theme of ancient prayers.

    Features

    • Inspired by bronzeware tales and deer motifs, the design uses denim cut in the shape of deer antlers painted with "iron paint" to express a bronze color.
    • Pink accents, reminiscent of the cross-section of fallen deer antlers, add contrast to the design alongside the bronze color.
  • 濵 夏歩

    Esmod Tokyo

    濵 夏歩 Natsuho Hama

    Work name:Strange Nature

    Concept

    "A little strange yet endearing"
    This work aims to convey to a wide audience the uplifting warmth of handmade items that I remember from interacting with my grandmother's knitting as a child.
    Tracing back to the roots of my fashion design journey, the work uses knitwear and original textiles to create a sense of comfortable eccentricity with a quirky edge.

    Features

    • The design is inspired by the peculiar changes in the shapes of life forms, such as intertwined dense plants and the bending bodies of humans.
    • Distortion and three-dimensionality are created using beads and wire.
    • The knitwear expresses the joy and endearment of free color use while being friendly to the environment.
  • 増田 凌・金田 昌也・永田 莉紗

    The University of Tokyo & Vantan Design Institute

    増田 凌・金田 昌也・永田 莉紗 Ryo Masuda, Masaya Kaneda, Risa Nagata

    Work name:Whole-Zip

    Concept

    The design aims to express organic forms found in nature using zippers, which are strongly artificial structures characterized by "interlocking metal or plastic shapes forming straight lines."

    Features

    • Consists of units produced using a home 3D printer that can be connected to each other, which combine custom-designed 3D-printed zippers following curved lines and flexible 3D-printed fabric.
    • The design leverages the smooth curves unique to 3D printing to create forms inspired by flower buds.
  • 村田 充生

    Bunka Fashion Graduate University

    村田 充生  Mitsuki Murata

    Work name:NORAGRI

    Concept

    The theme is "Fashion = Agriculture." The concept of this design emerges from the interplay between NORA (野良, fields), NORAGI (野良着, work clothes), and AGRI (agriculture).
    It is inspired by my identity as a "farmer," being born and raised as the eldest son in an agricultural family in a mountain village in Shinshu. It envisions new ways of farming through fashion design.
    It imagines a future Japan where agriculture is part of daily life, creating fashion designs from "present farmers" for "farmers a century from now."
    Transforming "noragi" (野良着, workwear) into "noragi" (農良着, agri-work-wear) and later into "noragi" (農楽着, agri-fun-wear).

    Features

    • Traces the evolution of Japanese farmers and their workwear, focusing on "noragi" before the Showa era and "workwear" after it.
    • Combines unique cuttings and structures of noragi, the modern functionality of workwear, the traditional techniques of rural areas, and details inspired by personal experiences.
    • For me, the reality is "NO" (agriculture). And real clothing emerges from that reality.
  • 谷城 ひとみ・菊池 舞子・近藤 裕佳

    Tokyo Mode Gakuen

    谷城 ひとみ・菊池 舞子・近藤 裕佳 Hitomi Yatsugi, Maiko Kikuchi, Hiroka Kondo

    Work name:Color

    Concept

    Expresses Tokyo as a place where diverse individuals intersect.

    Features

    • A design inspired by curtain tassels.
    • The distinctive feature is the use of fabric weaves in varying scales.
    • The weaving incorporates straight lines and loops, adding complexity and intricacy to the design.
  • 山口 空叶夢

    Bunka Fashion College

    山口 空叶夢 Atomu Yamaguchi

    Work name:OVERRIDE

    Concept

    The urge to playfully mess with a pet or a loved one.
    The desire to intentionally ruin something beautiful.
    The aim to upgrade and personalize something you love deeply.
    These kinds of feelings are channeled into this work.

    Features

    • Main materials include fur and faux fur from discarded clothing. The work involves updating and remaking discarded clothing in a personal style.
    • The work is designed to capture playful emotions, such as those of a child putting stickers on a beloved pet.
  • 山下 エミリ

    Bunka Fashion College

    山下 エミリ  Emiri Yamashita

    Work name:Camouflage City

    Concept

    To intersect the image of people blending into the city with its character to identify individuality in a depersonalized urban landscape and express contemporary urban life.

    Features

    • Utilizes action pleats symmetrically on the shoulders of a coat, incorporating mosaic art techniques, creating a design where the urban landscape appears in the coat fabric.
    • Expresses the city’s character = the texture of the city, such as the asphalt of the pedestrian crossing, the worn color of the signboards, and the rust marks caused by age-related deterioration, in a brutalist manner.
  • 山田 萌永

    Professional Institute of International Fashion

    山田 萌永  Moe Yamada

    Work name:Flower Temari Balls

    Concept

    "Chirimen Work × Modern Fashion"
    While chirimen crafts are traditionally not used for clothing, the design incorporates these traditional Japanese patterns and techniques into a style appealing to young people.

    Features

    • Original patchwork wear created using flower temari balls.
    • Easy to put on and take off, even for individuals with disabilities.

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